広島国際映画祭 | HIFF http://hiff.jp/en Thu, 25 Feb 2021 03:43:09 +0000 en-US hourly 1 https://wordpress.org/?v=3.9.34 (日本語) 「来年また、この会場で会いましょう」と高らかに閉幕 http://hiff.jp/en/archives/9269/ http://hiff.jp/en/archives/9269/#comments Mon, 23 Nov 2020 08:56:08 +0000 http://hiff.jp/?p=9269 Sorry, this entry is only available in 日本語.

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(日本語) いよいよクロージング !『生きちゃった』上映と石井裕也監督のトークショー開催 http://hiff.jp/en/archives/9267/ http://hiff.jp/en/archives/9267/#comments Mon, 23 Nov 2020 07:55:49 +0000 http://hiff.jp/?p=9267 Sorry, this entry is only available in 日本語.

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(日本語) 石井裕也監督ワークショップ「ボクが映画監督になった理由(わけ)」を開催 http://hiff.jp/en/archives/9265/ http://hiff.jp/en/archives/9265/#comments Mon, 23 Nov 2020 07:40:21 +0000 http://hiff.jp/?p=9265 Sorry, this entry is only available in 日本語.

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(日本語) オンラインアーカイブ配信は23日(月・祝)21時まで! http://hiff.jp/en/archives/9288/ http://hiff.jp/en/archives/9288/#comments Mon, 23 Nov 2020 07:30:28 +0000 http://hiff.jp/?p=9288 Sorry, this entry is only available in 日本語.

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(日本語) 映画を見て「たくさんの人に広島で何が起きたか知ってほしい」と語る原作者 美甘章子さんらのトークショー http://hiff.jp/en/archives/9263/ http://hiff.jp/en/archives/9263/#comments Mon, 23 Nov 2020 07:00:38 +0000 http://hiff.jp/?p=9263

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(日本語) 部谷京子美術監督ワークショップ「映画美術とワタシ」 http://hiff.jp/en/archives/9261/ http://hiff.jp/en/archives/9261/#comments Mon, 23 Nov 2020 06:30:11 +0000 http://hiff.jp/?p=9261 Sorry, this entry is only available in 日本語.

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(日本語) 11月23日 配信スケジュール!! http://hiff.jp/en/archives/9234/ http://hiff.jp/en/archives/9234/#comments Mon, 23 Nov 2020 01:24:49 +0000 http://hiff.jp/?p=9234 Sorry, this entry is only available in 日本語.

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(日本語) 『照射[原題: lrradiated]』リティ・パン監督 被爆地ヒロシマを語るトークショー http://hiff.jp/en/archives/9146/ http://hiff.jp/en/archives/9146/#comments Sun, 22 Nov 2020 14:55:29 +0000 http://hiff.jp/?p=9146 Sorry, this entry is only available in 日本語.

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BION ISEIJIN performance “Mask Girl” http://hiff.jp/en/archives/9144/ http://hiff.jp/en/archives/9144/#comments Sun, 22 Nov 2020 14:50:06 +0000 http://hiff.jp/?p=9144 The performance by BION ISEIJIN started at NTT CRED Hall No.1 on Sunday, November 22. The title of this performance is, “Mask Girl”. This performance was also streamed online.

The slow action of both hands’ shadow is projected on the stage screen. The BION’s hands’ action trying to grab something is impressive.

Then, a round white cloth in the stage is spotlighted. A hand appeared from the cloth, and BION. BION has long blond hair and wears a dress. His body under the clothes is covered with white cloth.

“Three, two, one”, electric sounds like a countdown echoes through the hall. “One,” BION uses the implement, which seems to be a radish, strummed like a guitar at the same time to the guitar sound. BION staggers himself slowly as if he is shocked.

The music stopped and BION sat down. He hugs himself tightly. After that, he stands up slowly again. BION grabs the white cloth wrapping his body and tries to take it off slowly. This performance appeared in the movie. He rolled up the red dress as if he showed his body to the audience. He lifts up the cloth taken off as if he exposes it to the sun.

All hold their breath while they watch the intense performance. It feels as if time has stopped. Suddenly, a mike stand appeared. BION, who held the implement like a guitar, which seems to be a radish, looks like a folk singer.

“Blue sky flowers were in bloom, but I can’t live there.” BION speaks instead of singing in a plain melody, a shout echoes through the hall. “Return my springtime of life!”

When the music's over, BION said, “Thank you.” Turning from the intense view of the people that hesitated to blink, the audience applauded.

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The Making of “Voices in the Wind” Viewing and Teach-in The film considerate of hurt people’s feelings http://hiff.jp/en/archives/9142/ http://hiff.jp/en/archives/9142/#comments Sun, 22 Nov 2020 11:50:06 +0000 http://hiff.jp/?p=9142 On Sunday, November 22, the second day of Hiroshima International Film Festival 2020, there was a review of the making of “Voices in the Wind” with a viewing and teach-in with Director Nobuhiro Suwa’s comments at NTT Cred Hall No. 2 at 18:00.

The teach-in was started from the shooting episode that only Dir. Suwa could create. He rewrites the script and hands it out to the staff every time he is in a meeting with the film’s actors to make the work better.

The heroine is a seventeen-year-old girl. She met Morio (Hidetoshi Nishijima) and they traveled together. Although Morio is an adult, different from her, he never forces her to behave anxiously. He is just always with her as a man in the same situation. She also meets many people throughout the journey, and they all cheer her up by saying such words as “eat”, “live”, or “don’t worry, it’s fine.” These phrases are seemingly easy, but that is the point because usually we cannot understand each other’s pain perfectly. These simple words express the warmth of this film, “Voices in the Wind” that accept the suffering of others.

The heroine lost her family in the Great East Japan Earthquake, and there are various people who experienced enormous rain disasters or radiation from the atomic bomb. Some participants felt that the style of his film work has changed compared to before. Dir. Suwa said that when he came back to Japan and saw the devastated area and countryside where depopulation is progressing, he sensed that Japanese society is now getting worse. He ended this teach-in with a positive and powerful comment; “More people get hurt than before, now I think I should become more tolerant of every way of film style.”

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